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chorus

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 8/16 Acte 1 : Coro Scena 10

Papibois

1:12	Est. Play Time
56	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		22	7	6	7	100%
		28	28	8	7	98%
View all 9 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		22	7	6	7	100%
		28	28	8	7	98%
Belcore		16	0	3	6	63%
Basse		7	0	1	5	38%
Ténor 1		8	0	1	5	36%
Ténor 2		8	0	1	5	32%
Soprano 1		7	0	1	4	16%
Soprano 2		6	0	2	4	16%
Nemorino		5	0	1	4	4%

Dido and Æneas, No.38: Chorus - With drooping wings

Voorburgs Operakoor

5:24	Est. Play Time
85	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		25	71	11	8	97%
		28	39	10	6	99%
View all 7 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		25	71	11	8	97%
		28	39	10	6	99%
S		14	0	5	7	50%
T		13	0	3	5	50%
A		14	0	4	7	48%
B		14	0	3	5	48%
Dido		16	0	6	9	35%

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 12/16 Acte 2 : Coro Scena 4 « Saria possibile ? » SOPRANO 2

Papibois

4:12	Est. Play Time
127	Measures
	1,330Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		37	41	11	4	98%
		30	70	9	8	99%
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		37	41	11	4	98%
		30	70	9	8	99%
Gianetta		15	0	3	8	72%
Soprano 2		13	0	3	7	61%
Soprano 1		12	0	2	8	59%

Dido and Æneas, No.35: Chorus - Great minds against themselves conspire

Voorburgs Operakoor

0:52	Est. Play Time
17	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		20	34	4	6	100%
		22	14	3	4	100%
View all 7 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		20	34	4	6	100%
		22	14	3	4	100%
A		9	0	1	5	76%
S		11	0	3	6	76%
T		8	0	1	5	76%
B		12	0	1	7	71%
Dido		6	0	0	5	24%

Les Choristes Medley

satolivi

4:01	Est. Play Time
75	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin		19	0	6	7	87%
		20	0	7	5	69%
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin		19	0	6	7	87%
		20	0	7	5	69%
Viola		18	0	3	6	66%
Violoncello		18	0	2	7	66%
Contrabass		22	0	4	5	65%

Messiah| No.22: Behold the Lamb of God

Pete Alan

3:12	Est. Play Time
32	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola		16	0	3	8	100%
Violin I		17	0	3	7	100%
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola		16	0	3	8	100%
Violin I		17	0	3	7	100%
Violin II		20	0	4	8	100%
Double Bass		16	0	3	7	97%
Alto		13	0	3	6	81%
Soprano		13	0	3	7	81%
Bass		15	0	3	7	75%
Tenor		13	0	4	6	75%

J. Hoffenbach, Les contes d'Hoffmann: Couplets bachiques

Mélisande

3:08	Est. Play Time
69	Measures
	1,180Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		30	37	8	7	100%
		31	43	8	3	100%
View all 6 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		30	37	8	7	100%
		31	43	8	3	100%
Hoffmann		14	0	3	6	75%
B		10	2	1	3	25%
T		11	10	2	3	25%
S		11	5	1	3	24%

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 12/16 Acte 2 : Coro Scena 4 « Saria possibile ? »

Papibois

4:12	Est. Play Time
127	Measures
	1,324Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		37	41	11	4	98%
		30	70	9	8	99%
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		37	41	11	4	98%
		30	70	9	8	99%
Gianetta		15	0	3	8	72%
Soprano 2		13	0	3	7	61%
Soprano 1		12	0	2	8	59%

Messiah| No.07: And He Shall Purify

Pete Alan

2:54	Est. Play Time
58	Measures
	1,999Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		30	96	11	7	91%
		27	30	8	7	100%
View all 6 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		30	96	11	7	91%
		27	30	8	7	100%
Bass		17	0	6	6	81%
Tenor		13	0	4	5	74%
Soprano		13	0	3	6	72%
Alto		15	0	4	6	71%

Messiah| No.46 Since By Man Came Death

Pete Alan

1:43	Est. Play Time
37	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto		9	0	2	5	92%
Bass		15	0	3	5	92%
View all 12 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto		9	0	2	5	92%
Bass		15	0	3	5	92%
Soprano		12	0	3	5	92%
Tenor		10	0	1	6	92%
Continuo		23	36	5	4	70%
		21	39	4	4	72%
Fagott, Bassoon		16	0	2	3	68%
Violins, Viola		13	0	1	3	68%
Violins, Violin I		13	0	3	5	68%
Violins, Violin II		13	0	2	3	68%
Violoncellos, Cello		16	0	2	3	68%
Oboe, Oboe		10	0	2	4	59%

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 5/16 Acte 1 : Coro «Davver saria da ridere» - BASSE

Papibois

3:58	Est. Play Time
149	Measures
	1,928Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		33	42	9	6	99%
		32	50	11	6	91%
View all 11 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		33	42	9	6	99%
		32	50	11	6	91%
Nemorino		16	0	6	6	75%
Adina		19	0	5	6	68%
Belcore		16	0	4	5	65%
Ténor 1		14	0	5	5	60%
Ténor 2		14	0	5	5	60%
Base		15	0	7	4	60%
Giannetta		18	0	6	4	53%
Soprano 1		14	0	4	4	53%
Soprano 2		14	0	3	4	53%

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 11/16 Acte 2 : Coro « Bravo Dulcamara » - BASSE

Papibois

1:06	Est. Play Time
44	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		20	23	5	6	88%
		22	21	4	6	88%
View all 10 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		20	23	5	6	88%
		22	21	4	6	88%
Basse		9	0	4	3	64%
Tenor 1		9	0	2	3	64%
Tenor 2		9	0	2	3	64%
Soprano 1		8	0	1	2	60%
Soprano 2		7	0	1	2	60%
Dulcamara		12	0	4	4	57%
Adina		7	0	1	3	43%
Belcore		6	0	1	3	14%

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